Image Credits: Joe Routon and Kia Caldwell
Student Pricing: $15 tickets available in-person at the Cal Poly Ticket Office with student ID
Internationally renowned American soprano Karen Slack is paired with one of America’s premier concert organists Alan Morrison, for a moving performance of dynamic musical synergy rarely seen on the Central Coast.
Ticket holders are invited to come early to enjoy a moderated conversation with the artists from 6:30 PM - 7:00 PM in Miossi Hall.
Scheduled Program
G. Verdi: Grand March from AIDA (Intro): Ritorna vincitor
M. Duruflé: Scherzo, opus 2
N. Boulanger: Cantique
F. Cilea: Io Son L'umile Ancella from Adriana Lecouveur
Strauss: “Zueignung,” op. 10, no.1 C major
Strauss: Waldseligkeit
Strauss: “Schlectes Wetter,” op. 69, no. 5 F major
Strauss: Befreit, Op. 39, No. 4
Strauss: Cäcilie, Op. 27, No. 2
Intermission
A. Wilson: Toccata
M. Gaspard: Shenandoah
W. Grant Still: Elegy
A. Hailstork: Kaimaishi Seashore Song
H. Johnson: Let's Have Union.
H. Johnson: Ride on King Jesus
ABOUT KAREN SLACK
Hailed as possessing a voice of extraordinary beauty, celebrated American soprano Karen Slack has garnered international renown for her artistic versatility, charisma and entrepreneurial endeavors. A recipient of the 2022 Sphinx Medal of Excellence, Slack is known for her dynamic and passionate performances in both lead operatic roles and on the concert stage; as a sought-after collaborator, curator, and artistic advisor; and for her ground-breaking approach to engagement. She is an Artistic Advisor for Portland Opera, Co-Chair of the Women's Opera Network with Opera America, and serves on the board of the American Composer’s Orchestra. In January 2022, Slack was appointed Creative Partner with Brooklyn’s National Sawdust, opening with a solo recital and continuing through multiple programs throughout the season.
Highlights of Slack’s 2022-2023 season include her debut with The Dallas Opera as Freia in Das Rheingold; the world premiere of Shawn Okpebholo’s Songs in Flight, developed by Sparks & Wiry Cries, alongside singer and multi-instrumentalist Rhiannon Giddens at The Metropolitan Museum of Art and The Kimmel Centert; performances in Austin and Portland with the Miró Quartet, and in Cincinnati and Albany with the Pacifica Quartet; a recital in Fort Worth with pianist Michelle Cann and at Cal Poly Arts with organist Alan Morrison; performing as featured soloist with the Nashville Symphony and Oklahoma City Philharmonic in two different world premieres by Hannibal Lokumbe; Beethoven’s Egmont at Carnegie Hall with Orpheus Chamber Orchestra; Beethoven’s Ninth Symphony with the Fresno Philharmonic; and titled roles in productions at Portland Opera and Edmonton Opera. She also continues her roles as Artistic Advisor for Portland Opera and Co-Chair of the Women's Opera Network with Opera America.
Karen Slack has appeared with the Metropolitan Opera, Lyric Opera of Chicago, Washington National Opera, and San Francisco Opera in featured roles such as Alice Ford in Falstaff, Leonora in Il trovatore, Tosca with Arizona Opera, as Aïda at Austin Opera, Emelda Griffith in Champion with New Orleans Opera, Donna Anna in Don Giovanni with Nashville Opera, Violetta in La Traviata with Sacramento Opera and Sister Rose in Dead Man Walking with Minnesota, Atlanta, and Vancouver Opera. She made her Scottish Opera debut as Anna in Puccini’s Le villi. Slack made her film debut portraying a featured role as the Opera Diva in Tyler Perry’s movie and soundtrack For Colored Girls.
Her 2021-2022 season featured a debut performances with Houston Grand Opera in the world premiere of Joel Thompson and Andrea Davis Pinkney's A Snowy Day, the title role in Aïda at Opera Carolina, recitals at Atlanta’s Spivey Hall, performances as featured soloist with Symphony of the Americas and in Derek Geter’s Justice Symphony with The Washington Chorus, her solo recital Of Thee I Sing at National Sawdust, and the May 2022 world premiere of a new work by James Lee III, written for her collaboration with the Pacifica Quartet and presented by Carnegie Hall and the Shriver Hall Concert Series.
During the 2020-2021 season, Slack drew on her experience in film to expand her artistic platform through premiere digital performances with Houston Grand Opera, Madison Opera, and Minnesota Opera, taking on a starring role in Driving While Black with urbanarias and launching her digital talk show, #kikikonversations, which garnered critical acclaim from both Opera News and The New York Times. She was also Co-Director for the 2020-21 Opera Program at the Banff Centre for the Performing Arts. Additionally, Slack became a sought-after collaborator to create bespoke content for the digital concert stage, co-creating and performing in #saytheirnames – Women of the Movement, a film recital and production in partnership with Philadelphia’s Lyric Fest, performed in recital for Opera Philadelphia, and was the featured vocalist alongside actor/narrator Liev Schreiber in Orpheus Chamber Orchestra’s Speaking Truth to Power program, presented in October 2020 and hosted by livestream platform Idagio.
Slack’s 2019-2020 season included a return to The Metropolitan Opera as Serena in Porgy and Bess, her debut with Opera Theatre of St. Louis originating the role of Billie in the world premiere of Terence Blanchard’s Fire Shut Up in My Bones, a recital with Opera Philadelphia, performing as guest soloist for Madison Opera’s virtual Opera in the Park, and a series of recitals throughout the US including the Vilar Center for the Performing Arts in Vail, Colorado with pianist Joe Illick. In concert, she was a soloist with the Philadelphia Orchestra in the world premiere of Hannibal Lokumbe’s Healing Tones with conductor Yannick Nézet-Séguin and the Union Symphony Orchestra for Wagner’s Wesendonk Lieder.
Equally at home on the concert stage, Slack has performed Beethoven’s 9th Symphony, Mahler’s 2nd Symphony, Strauss’ Vier Letzte Lieder, and the Verdi Requiem with various orchestras throughout the United States, and was featured in her first performances of Chausson’s Poème de l’amour et la mer with the Omaha Symphony in collaboration with Opera Omaha. Abroad she has appeared with the Melbourne Symphony, Sydney Symphony, the Bergen Philharmonic Orchestras, and most recently, with the St. Petersburg Philharmonic in celebration of the 80th birthday of conductor Yuri Temirkanov. She made her Carnegie Hall debut as Agnes Sorel in Tchaikovsky’s Maid of Orleans with the Orchestra of St. Luke’s.
A graduate of the Adler Fellowship and Merola Opera Program at the San Francisco Opera, the native Philadelphian is also a graduate of the prestigious Curtis Institute of Music. Karen Slack is a winner of numerous competitions and awards: most notably the Montserrat Caballé International Competition, Metropolitan Opera National Council Auditions, George London Foundation Award, Marian Anderson ICON Award, Licia Albanese-Puccini Foundation, Rosa Ponselle International Vocal Competition, Portland Opera Lieber Award, Liederkranz Foundation Award and the Jose Iturbi International Competition for Voice.
ABOUT ALAN MORRISON
Alan Morrison is recognized as one of America's premier concert organists and enjoys a versatile career as organist, teacher, recording artist, adjudicator and pianist/chamber musician. His concert performances throughout North America, South America, Europe and Russia have all been received with enthusiastic praise for his quality programming, colorful use of the organ and interpretive integrity. Some performance highlights in major venues include Glazunov Hall (St. Petersburg, Russia), St. Paul’s Cathedral (London, UK), St. Albans Cathedral (UK), Mosteiro de São Bento (São Paulo, Brazil), St. Michael’s Church (Munich, Germany), Cattedrale di Vittorio Veneto (Italy), Jack Singer Concert Hall (Calgary, Canada), Spreckels Organ Pavilion (San Diego, CA), Merrill Auditorium (Portland, ME), Alice Tully Hall at Lincoln Center (NYC), Meyerson Symphony Center (Dallas, TX), Benaroya Hall (Seattle, WA), Jacoby Hall (Jacksonville, FL), Overture Center (Madison, WI), Spivey Hall (Morriow, GA), The National Cathedral (DC), Cleveland Museum of Art (OH), Grace Cathedral (San Francisco, CA), The Crystal Cathedral (Garden Grove, CA), the Wanamaker Organ at Macy’s (Philadelphia, PA) and Verizon Hall at the Kimmel Center in Philadelphia where he has appeared countless times as soloist, with brass, choir, and as orchestral soloist in concertos by Samuel Barber, Stephen Paulus and Eric Sessler (the latter two are available on iTunes from Verizon Hall).
Collaboration with other artists plays a major role in Morrison’s career. For over a decade he toured with his mother, pianist Jeannine Morrison, performing major works and transcriptions for piano and organ. They were featured at the 2006 National AGO Convention in Chicago and recorded a CD (“Festive Duo”) in Spivey Hall. In Philadelphia he has collaborated with all the major choral ensembles: Choral Arts Philadelphia, The Philadelphia Singers, Mendelssohn Club, and Singing City. He has also appeared with Dolce Suono Ensemble several times as harpsichordist and organist. As a pianist he has been featured as concerto soloist performing works such as Tchaikovsky's Piano Concerto #1, Rachmaninoff’s Rhapsody on a Theme of Paganini, Gershwin’s Concerto in F (all with the DeKalb Symphony Orchestra conducted by Fyodor Cherniavsky), Mozart’s Concerto for Two Pianos and Three Pianos (Atlanta Chamber Symphony conducted by Juan Ramirez), Beethoven’s Choral Fantasy (Chamber Orchestra of Philadelphia conducted by Jeffery Brillhart), and Gillingham’s Concerto for Piano and Percussion Orchestra (Orlando, FL). As winner of the GMEA Concerto Competition he performed the Piano Concerto #1 by Shostakovich (Larry Newland conducting the Georgia All State Orchestra) which was broadcast on TV. Other TV appearances include two episodes of Mister Rogers’ Neighborhood as both pianist and organist. He was subsequently invited to play for his memorial service at Heinz Hall in Pittsburgh where other guests included Yo-Yo Ma, Hillary Hahn and Isaac Stern. He currently collaborates regularly with The Orlando Chambers Soloists as a founding member. They have recently received awards from Chamber Music America and National Endowment for the Arts. He has also partnered several times with renowned cellist Andres Diaz at Brevard Music Festival and Spivey Hall among other venues playing major works of Rachmaninoff, Martinu, Lutosalwski, and Debussy.
A champion of American composers, Alan Morrison has premiered important new works by William Bolcom, Rachel Laurin, Dan Locklair, Emily Maxson-Porter, Mary Beth Bennett, Eric Sessler, Kyle Smith, Jon Spong, Brent Weaver, as well as the American premier of Dances for Organ and Orchestra by Bob Chilcott. One of Morrison’s CD recordings, “American Voyage” features an all-American program with works by Creston, King, Crozier, Locklair, Stover and Sessler. Upcoming premieres by Adolphus Hailstork (2) and Daniel Crozier are scheduled for the 2021-22 season.His numerous CD recordings are currently available through the internet or on iTunes.
Morrison has been chosen by his peers to perform for five national conventions of the AGO (Atlanta ’92, New York City ’96, Philadelphia ’02, Chicago ’06 and Atlanta 2020 as the Saint Cecilia Recitalist/Artist) as well as numerous regional conventions. In his student years he captured First Prize in numerous organ competitions including the Arthur Poister National Organ Playing Competition (1991) and the Clarence Mader National Organ Competition (1991) which offered the highest cash prize of any US competition at that time. He also won the Silver Medal at the 1994 Calgary International Organ Festival and Competition.
In 2002, Alan Morrison was appointed head of the organ department at the world renowned conservatory, The Curtis Institute of Music, where he holds the Haas Charitable Trust Chair in Organ Studies. He has served as College Organist at Ursinus College in Collegeville, PA since 1995 and was most recently appointed Organist-in-Residence at Spivey Hall where he holds the McGehee Family Organist Residency. A graduate of both Curtis Institute of Music (BMus in Organ and MMus in Piano Accompanying) and Juilliard School of Music (Professional Studies in Organ), his teachers were Sarah Martin, Cherry Rhodes and John Weaver (organ) and Robert Harvey, Vladimir Sokoloff and Susan Starr (piano).
Alan Morrison is under the exclusive management of Karen McFarlane Artists, Inc. (Cleveland).
Sponsored by
Bert & Candace Forbes, Mary Baiamonte
